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"Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry."—Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar culture across television, film, comics, games, and merchandising. In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and even consumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives. "Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry."—Heather Hendershot, author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest While immediately recognizable throughout the U.S. and many other countries, media mainstays like X-Men, Star Trek, and Transformers achieved such familiarity through constant reincarnation. In each case, the initial success of a single product led to a long-term embrace of media franchising—a dynamic process in which media workers from different industrial positions shared in and reproduced familiar cultureacross television, film, comics, games, and merchandising.In Media Franchising, Derek Johnson examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds. Challenging connotations of homogeneity, Johnson shows how the cultural and industrial logic of franchising has encouraged media industries to reimagine creativity as an opportunity for exchange among producers, licensees, and even consumers. Drawing on case studies and interviews with media producers, he reveals the meaningful identities, cultural hierarchies, and struggles for distinction that accompany collaboration within these production networks. Media Franchising provides a nuanced portrait of the collaborative cultural production embedded in both the media industries and our own daily lives.
Cultural industries --- Franchises (Retail trade) --- 82:3 --- media --- mediatheorie --- cultuurfilosofie --- media franchising --- auteursrecht --- 130.2 --- Literatuur en maatschappijwetenschappen --- Cultural industries. --- Franchises (Retail trade). --- 82:3 Literatuur en maatschappijwetenschappen --- Creative industries --- Culture industries --- Industries --- Franchises, Retail --- Franchising --- Retail franchises --- Retail trade
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Psychological study of literature --- Art --- Depth psychology --- Freud, Sigmund --- Psychoanalysis and art --- Psychoanalysis and literature --- Psychanalyse et art --- Psychanalyse et littérature --- Freud, Sigmund, --- Art. --- Literature. --- Psychoanalysis. --- 82:159.9 --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- Art and psychoanalysis --- Psychodynamic Analysis --- Analyses, Psychodynamic --- Analysis, Psychodynamic --- Psychodynamic Analyses --- Literatures --- Arts --- Literatuur en psychologie. Literatuur en psychoanalyse --- Psychoanalysis and art. --- Psychoanalysis and literature. --- FREUD --- SIGMUND, 1856-1939 --- 82:159.9 Literatuur en psychologie. Literatuur en psychoanalyse --- SIGMUND, 1856-1939. --- Freud --- Sigmund, 1856-1939. --- Psychanalyse et littérature --- Psychoanalysis
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Theory of literary translation --- Translation science --- #TS:KOMA --- #KVHA:Tijdschriften; Vertaalwetenschap --- 82.035 --- Literatuur. Algemene literatuurwetenschap. Vertalen --- Periodicals --- Vertaalwetenschap --- tijdschriften --- tijdschriften. --- #TS:KOHU
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Der theoretische Schwerpunkt der Arbeit liegt auf der Episode als der kleinsten geschlossenen Einheit erzählter Handlung. Die Episode wird definiert als ein Interpretationskonstrukt des Lesers, der eine Reihe distinkter Sachverhalte in der fiktionalen Welt als eine transformationelle Serie aus genau zwei Ereignissen konstruiert. Dieser Vorgang hat den konkreten Text zur Basis; er bezieht jedoch darüber hinaus sowohl das Weltwissen des Lesers ein und verläuft in Abhängigkeit von bestimmten logischen und semiotischen Regeln, die den Status von De-facto-Universalien des Lesens von Handlung besitzen. Neben der Formulierung neuer Definitionen für die Kernbegriffe Ereignis, Episode und Handlung stellt die Arbeit in einem computerphilologischen Teil eine neu entwickelte Softwareanwendung vor, die als Werkzeug zur Identifizierung, Auszeichnung und Analyse von Ereignissen im narrativen Text dienen kann. “Computing Action” takes a new approach to the phenomenon of narrated action in literary texts. It begins with a survey of philosophical approaches to the concept of action, ranging from analytical to transcendental and finally constructivist definitions. This leads to the formulation of a new model of action, in which the core definitions developed in traditional structuralist narratology and Greimassian semiotics are reconceptualised in the light of constructivist theories. In the second part of the study, the combinatory model of action proposed is put into practice in the context of a computer-aided investigation of the action constructs logically implied by narrative texts. Two specialised literary computing tools were developed for the purposes of this investigation of textual data: EVENTPARSER, an interactive tool for parsing events in literary texts, and EPITEST, a tool for subjecting the mark-up files thus produced to a combinatory analysis of the episode and action constructs they contain. The third part of the book presents a case study of Goethe's “Unterhaltungen deutscher Ausgewanderten”. Here, the practical application of theory and methodology eventually leads to a new interpretation of Goethe's famous Novellenzyklus as a systematic experiment in the narrative construction of action - an experiment intended to demonstrate not only Goethe's aesthetic principles, but also, and more fundamentally, his epistemological convictions.
82:800 --- 82:1 --- 82-3 --- Literatuur en taal --- Literatuur en filosofie --- Proza. Fictie. Narratologie --- Artificial intelligence. --- Narration (Rhetoric). --- Artificial intelligence --- Narration (Rhetoric) --- Engineering & Applied Sciences --- Computer Science --- 82-3 Proza. Fictie. Narratologie --- 82:1 Literatuur en filosofie --- 82:800 Literatuur en taal --- Narrative (Rhetoric) --- Narrative writing --- AI (Artificial intelligence) --- Artificial thinking --- Electronic brains --- Intellectronics --- Intelligence, Artificial --- Intelligent machines --- Machine intelligence --- Thinking, Artificial --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Bionics --- Cognitive science --- Digital computer simulation --- Electronic data processing --- Logic machines --- Machine theory --- Self-organizing systems --- Simulation methods --- Fifth generation computers --- Neural computers --- E-books --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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Fiction --- Dutch literature --- Hermans, Willem Frederik --- Hermans, Willem Frederik, --- 839.3 "19" --- Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Theses --- 839.3 "19" Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Prudhomme, Anastase --- Schrijver Dezes --- 18.11 Dutch literature. --- De donkere kamer van Damocles (Hermans). --- 1950-1960. --- HERMANS, Willem Frederik --- Hermans, Willem Frederik, - 1921-1995 --- HERMANS (WILLEM FREDERIK), 1921-1995 --- CRITIQUE ET INTERPRETATION
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Malraux, André --- Malraux, André, --- Criticism and interpretation. --- 840 "19" MALRAUX, ANDRE --- Franse literatuur--20e eeuw. Periode 1900-1999--MALRAUX, ANDRE --- 840 "19" MALRAUX, ANDRE Franse literatuur--20e eeuw. Periode 1900-1999--MALRAUX, ANDRE --- Malraux, André, - 1901-1976 - Criticism and interpretation. --- Malraux, andré (1901-1976) --- Critique et interprétation --- Malraux, André, - 1901-1976
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820 "18" JAMES, HENRY --- Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- James, Henry --- -Criticism and interpretation --- 820 "18" JAMES, HENRY Engelse literatuur--19e eeuw. Periode 1800-1899--JAMES, HENRY --- James, Henry, --- Criticism and interpretation. --- Criticism and interpretation --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى
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Creation (Literary, artistic, etc.) --- Economics --- Création (Arts) --- Economie politique --- Philosophy --- Philosophie --- 840-4 --- AA / International- internationaal --- 170 --- 10 --- Franse literatuur: essay --- Moraal en ethiek (algemeenheden). --- Wijsbegeerte. --- 840-4 Franse literatuur: essay --- Création (Arts) --- Wijsbegeerte --- Moraal en ethiek (algemeenheden) --- 830 --- essay --- essai
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Folly in literature --- Folly --- Religious aspects --- Christianity --- Erasmus, Desiderius, --- Folly in literature. --- Christianity. --- 873.4 ERASMUS ROTERODAMUS, DESIDERIUS --- -Folly in literature --- Conduct of life --- Pride and vanity --- Humanistisch Latijnse literatuur--ERASMUS ROTERODAMUS, DESIDERIUS --- -Christianity --- Erasmus, Desiderius --- 873.4 ERASMUS ROTERODAMUS, DESIDERIUS Humanistisch Latijnse literatuur--ERASMUS ROTERODAMUS, DESIDERIUS --- Religious aspects&delete& --- Folly - Religious aspects - Christianity --- Erasmus, Desiderius, - d. 1536. - Moriae encomium.
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